Major Performances (incomplete)
The Forever Field
(1993) interactive digital
synthesis, sound processing, and video installation
- 2000 Digitally Propelled
Ideas exhibition, University Art Gallery, Cal Poly Pomona
- 1993 International Computer
Music Conference, Tokyo
The Secrets of the Magdalen Laundries
(2000) 12-channel audio
composition accompanying photographic installation by Diane Fenster
- 2000 Gallery Henoch, New York, NY
- 2001 SIGGRAPH computer
graphics conference Art Show (juried selection)
- 2001 Conley Art Gallery,
California State University at Fresno
Various Works (exerpts)
The Shadow of Love
(1993) interactive 4-channel
music for installation by Sonya Rapoport
- 1993 Fourth International
Symposium on Electronic Art (FISEA), Minneapolis
Sudden Changes
(1991) solo saxophone with
live computer interaction and electronics
commission from Liss Fain Dance Company
- 1992 San Francisco, CA
- 1992 San Jose, CA
- 1991 San Francisco, CA
- 1991 Pt. Reyes Station,
CA
- 1991 Petaluma, CA
- 1991 Mountain View, CA
The Far and Brilliant Night
(1990/92) live computer
electronics, tape, multi-image projection, voice, processed speech
- 2000 Northwest Electroacoustic
Music Festival, Portland, OR
- 2000 Quandt Foundation
Transatlantic Conference, Los Angeles, CA
- 1995 International Symposium
on Electronic Art, Montreal, Canada
- 1992 International Computer
Music Conference, San Jose, CA
- 1990 International Symposium
on Electronic Art, Groningen, Holland
Portraits in Common Time
(1991) computer-controller
interactive 8-channel sound for
film and video installation by Lynn Kirby
- 1991 Intersection for
the Arts Gallery, San Francisco, CA
The Lark Full Cloud
(1989) violin, saxophone,
digital synthesis and processed sounds.
Commissioned by the Community Redevelopment
Agency, City of Los Angeles
- 1995 University of Huddersfield
Electric Spring Festival (Composer-in-Residence)
- 1994 ACM SIGGRAPH computer
graphics conference, Orlando Florida
- 1992 - present, Continuous
outdoor installation in Grand Hope Park, Los Angeles
- 1990 Los Angeles, CA
- 1990 International Computer
Music Conference, Glasgow, Scotland
Invisible Cities
(1985) ballet music for
piano, saxophone, computer tape, and electronics
Honorary Mention,
1989 Prix Ars Electronica
- 2000 Digitally Propelled Ideas exhibition, University Art Gallery, Cal Poly
Pomona (pre-recorded performance)
- 1989 SEAMUS/New Music
America - New York City
- 1988 Almeida Festival,
London
- 1988 PC World/MacWorld
5th Anniversary Celebration, San Francisco
- 1987 Warsaw Autumn Festival,
Poland
- 1987 AES Music and Digital
Technology, Los Angeles
- 1986 Zellerbach Hall,
Berkeley CA, with ODC/San Francisco Dance Company
- 1986 16th International
Experimental Music Festival, Bourges
- 1986 California State
University, Long Beach
(American Music Week)
- 1986 Dinkelspiel Auditorium,
Stanford University
- 1985 Memorial Auditorium,
Stanford University, with ODC/San Francisco Dance Company
Love in the Asylum
(1981) four-channel computer
tape.
Award, International Electroacoustic Music Festival, Bourges
1982
- 2000 Digitally Propelled Ideas exhibition, University Art Gallery, Cal Poly
Pomona
- 1995 University of Huddersfield
Electric Spring Festival (Composer-in-Residence)
- 1992 22th International
Electroacoustic Music Festival, Bourges, France
- 1988 Stockholm
- 1987 San Francisco
- 1986 Japan
- 1986 Buenos Aires
- 1985 Sweden
- 1985 Oberlin College,
OH
- 1985 Massachusets Instituteof
Technology, MA
- 1985 Warsaw, Poland
- 1985 Colgate University
- 1985 Stanford University
- 1984 San Jose,
- 1984 Boston, MA
- 1984 ISCM World Music
Days, Toronto, CA
- 1984 Berlin
- 1984 London
- 1984 Australia
- 1984 Stockholm
- 1984 Hartford, MA
- 1984 Buenos Aires
- 1983 Berlin Festival
- 1983 IRCAM (Paris)
- 1983 Massachusets Instituteof
Technology, MA
- 1983 Cal Arts Festival
- 1983 Victoria B.C., Canada
- 1983 Stuttgart
- 1983 Warsaw Autumn Festival
- 1983 London
- 1983 Stockholm Festival
- 1983 Helsinki
- 1983 University of York
- 1982 San Francisco
- 1982 Bourges, France
- 1982 Amsterdam
- 1982 Stanford University
- 1982International Computer
Music Conference, Venice, Italy
- 1982 Padua, Italy
- 1982 Ferrara, Italy
- 1982 Rome, Italy
- 1981 Monday Evening Concerts,
Los Angeles, CA
- 1981 University of Iowa
- Many, many radio broadcasts
in U.S., Europe, Canada, Australia, South America
Musical effects for Altered States
(1979) Warner Brothers
Films, Ken Russel, director
- Worldwide general distribution
Love in the Asylum
(1980) version for orchestra
Music for Mars in 3-D
(1979) computer-generated
tape, original music for NASA film of stereographic Viking lander
and orbiter imagery.
Performable as concert
work with or without automated slide projections
- 1985 Monday Evening Concerts,
L.A. (concert suite, rev. 1984)
- 1979-present Many film
showings internationally.
Dreamsong
(1978) computer-generated
tape with recorded soprano
League of Composers - ISCM Composers Competition winner.
Award, Bourges Festival 1979
- 2000 Digitally Propelled Ideas exhibition, University Art Gallery, Cal Poly
Pomona
- 1995 University of Huddersfield
Electric Spring Festival (Composer-in-Residence)
- 1990 London
- 1989 Montreal
- 1988 San Francisco
- 1988 Boston
- 1987 San Francisco (Davies
Symphony Hall)
- 1987 Madrid
- 1986 London
- 1986 Northwestern University
- 1985 Marin, CA
- 1985 London
- 1985 Oberlin College,
OH
- 1984 New York (Avery Fisher
Hall)
- 1984 Warsaw, Poland
- 1983 14-city tour of United
Kingdom
- 1983 Stanford University
- 1982 New York
- 1982 U.K.
- 1982 Hartford
- 1982 Baltimore
- 1981 IRCAM, France
- 1981 San Jose New Sounds
Fesival
- 1981 Boston, MA
- 1981 U.K.
- 1981 Baltimore, MD
- 1981 University of Alabama
- 1980 Peabody Conservatory
- 1980 Yale University
- 1980 S.E. Massachusetts
University
- 1980 Glasgow, Scotland
- 1980 Simon Fraser University,
B.C., Canada
- 1980 Los Angeles
- 1980 Stanford University
- 1979 Bourges, France
- 1979 Paris
- 1979 University of Southern
California
- 1979 London
- 1979 Carnegie Recital
Hall, N.Y.
- 1979 Berkeley
- 1979 Reno, NV
- 1979 Stanford University
- 1978 Computer Music Conference,
Northwestern University,
- 1978 Stanford University
- 1978 University of Iowa
- 1978 Marin, CA
- Many radio broadcasts
in U.S., Europe, Canada, Australia, S. America
Laughing Buddha
(1977) percussion ensemble
with piano
- 1979 Stanford Percussion
Ensemble
Having Lost My Sons, I Confront the
Wreckage of the Moon
(1976) chamber orch. &
narrator
- 1977 Stanford New Music
Ensemble
Solstice
(1975) for large orchestra
- 1976 Stanford Symphony
Orchestra